{"id":46086,"date":"2022-09-18T07:30:30","date_gmt":"2022-09-18T14:30:30","guid":{"rendered":"https:\/\/anitrendz.net\/news\/?p=46086"},"modified":"2022-09-18T07:30:33","modified_gmt":"2022-09-18T14:30:33","slug":"review-anime-supremacy","status":"publish","type":"post","link":"https:\/\/anitrendz.net\/news\/2022\/09\/18\/review-anime-supremacy\/","title":{"rendered":"Review: Anime Supremacy"},"content":{"rendered":"\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">Anime Trending was invited to a screening of <em>Anime Supremacy<\/em> as part of the September 6 opening ceremony of Malaysia\u2019s <a href=\"https:\/\/www.jfklevents.my\/japanese-film-festival-2022\/\" target=\"_blank\" rel=\"noopener\">Japan Film Festival 2022<\/a>, which runs until October 9. The festival\u2019s 12-film lineup includes two anime movies: <\/span><i><span style=\"font-weight: 400\">Blue Thermal <\/span><\/i><span style=\"font-weight: 400\">and<\/span><i><span style=\"font-weight: 400\"> Inu-Oh<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><span style=\"font-size: 12pt\"><i><span style=\"font-weight: 400\">Anime Supremacy<\/span><\/i><span style=\"font-weight: 400\"> features a battle for ratings between two anime that air during the same weekend time slot. In one corner, we have mecha anime <\/span><i><span style=\"font-weight: 400\">Soundback: Kanade no Ishi<\/span><\/i><span style=\"font-weight: 400\">, helmed by unproven director Hitomi Saito (<strong>Riho Yoshioka<\/strong>) from Tokei Animation. In the other corner is <\/span><i><span style=\"font-weight: 400\">Unmei Sensen<\/span><\/i> <i><span style=\"font-weight: 400\">Liddell-light<\/span><\/i><span style=\"font-weight: 400\">, a magical girl title that is the anticipated comeback work of genius director Chiharu Oji (<strong>Tomoya Nakamura<\/strong>).<\/span><\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400;font-size: 12pt\">As Hitomi attempts to prove herself, her producer Osamu Yukishiro (<strong>Tasuku Emoto<\/strong>) does all he can to boost their show\u2019s visibility, even if that means interrupting Hitomi\u2019s storyboarding time to send her to photo shoots. Meanwhile, Studio Edge producer Kayako Arishima (<strong>Machiko Ono<\/strong>), who has a reputation as a former \u201clegendary\u201d production assistant, tries to manage the challenging Chiharu, whose non-kid audience-friendly desire to kill off his protagonist doesn\u2019t sit well with the production committee.<\/span><\/p>\n\n\n\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">An adaptation of the novel by <\/span><b>Mizuki Tsujimura<\/b><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">Anime Supremacy<\/span><\/i><span style=\"font-weight: 400\">\u2019s<\/span> <span style=\"font-weight: 400\">trailers provide the impression that it\u2019d be a decently fun experience, and there are certainly moments that deliver on this promise. When Chiharu shows up after going AWOL, Kawako commemorates their reunion with a jab to the face. Much later, when both series have begun airing, Hitomi discovers a shocking (to her) food ad of <\/span><i><span style=\"font-weight: 400\">Soundback, <\/span><\/i><span style=\"font-weight: 400\">with a powerful line from the anime recontextualized into a cooking-related pun. <\/span><\/span><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"ANIME SUPREMACY! - JFF 2022\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/NYVygTKZBHU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">With a 128-minute runtime, it\u2019s not surprising that <\/span><i><span style=\"font-weight: 400\">Anime Supremacy<\/span><\/i><span style=\"font-weight: 400\"> can\u2019t delve as deeply into either the production or creative aspects of anime production as anime-about-making-anime series like <\/span><i><span style=\"font-weight: 400\">Keep Your Hands Off Eizouken! <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">&nbsp;Shirobako<\/span><\/i><span style=\"font-weight: 400\">. Nevertheless, some nice moments about anime production are sprinkled in, like the brief montage of anime production aspects like compositing and digital painting and a time lapse sequence of an animator (from a third-party studio that is involved with both <\/span><i><span style=\"font-weight: 400\">Soundback <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">Liddell-light<\/span><\/i><span style=\"font-weight: 400\">) drawing a <\/span><i><span style=\"font-weight: 400\">Soundback <\/span><\/i><span style=\"font-weight: 400\">illustration for a magazine cover. One of the plot threads revolves around the friction between Hitomi and her lead seiyuu, so we also spend some time in the recording studio and see quite a bit of <\/span><b>Marina Kouno<\/b><span style=\"font-weight: 400\">.<\/span><\/span><\/p>\n\n\n\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">While the movie makes mention of the anime industry\u2019s tight schedules and shows the aforementioned animator getting an important off-day interrupted by a work call, the story ultimately sees the staff for both productions passionately executing last-minute changes that entail additional work for the sake of their show and the directors\u2019 visions. I didn\u2019t mind the lack of serious critique since <\/span><i><span style=\"font-weight: 400\">Anime Supremacy <\/span><\/i><span style=\"font-weight: 400\">never struck me as being that sort of movie, but I did wish that it had done better to make me invested in how its fictional anime turned out.<\/span><\/span><\/p>\n\n\n\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">Unfortunately, the <\/span><i><span style=\"font-weight: 400\">Soundback-Liddell-light <\/span><\/i><span style=\"font-weight: 400\">battle that connects everything together ends up being a weak point. While the setup sounds like material for an interesting anime production-themed underdog story, the execution left me feeling detached for considerable stretches of time. While <\/span><i><span style=\"font-weight: 400\">Anime Supremacy<\/span><\/i><span style=\"font-weight: 400\"> features some nicely produced anime sequences for both shows, the ratings battle is mainly conveyed through a deluge of viewer comments and shots of robot and motorcycle-riding magical girl shapes \u2014 representing <\/span><i><span style=\"font-weight: 400\">Soundback <\/span><\/i><span style=\"font-weight: 400\">and<\/span><i><span style=\"font-weight: 400\"> Liddell-light <\/span><\/i><span style=\"font-weight: 400\">respectively \u2014 racing through the sky. It\u2019s a lot of tell and not enough show, and this stylistic choice meant that I actually lost track at times as to why <\/span><i><span style=\"font-weight: 400\">Soundback <\/span><\/i><span style=\"font-weight: 400\">was no longer inspiring confidence after its well-received premiere. There\u2019s also not much completed footage of <\/span><i><span style=\"font-weight: 400\">Liddell-light<\/span><\/i><span style=\"font-weight: 400\"> to feast on until near the end of the film, making it hard to really comprehend how <\/span><i><span style=\"font-weight: 400\">Soundback<\/span><\/i><span style=\"font-weight: 400\"> compares to its competitor.<\/span><\/span><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"696\" height=\"392\" data-attachment-id=\"46093\" data-permalink=\"https:\/\/anitrendz.net\/news\/2022\/09\/18\/review-anime-supremacy\/animesupremacy_2-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?fit=1920%2C1080&amp;ssl=1\" data-orig-size=\"1920,1080\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"animesupremacy_2-1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?fit=696%2C392&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=696%2C392&#038;ssl=1\" alt=\"\" class=\"wp-image-46093\" srcset=\"https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=1536%2C864&amp;ssl=1 1536w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=696%2C392&amp;ssl=1 696w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=1068%2C601&amp;ssl=1 1068w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?resize=747%2C420&amp;ssl=1 747w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?w=1920&amp;ssl=1 1920w, https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_2-1.png?w=1392&amp;ssl=1 1392w\" sizes=\"(max-width: 696px) 100vw, 696px\" \/><figcaption>\u00a9 2022 \u6620\u753b\u300c\u30cf\u30b1\u30f3\u30a2\u30cb\u30e1\uff01\u300d\u88fd\u4f5c\u59d4\u54e1\u4f1a<\/figcaption><\/figure>\n\n\n\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">Chiharu is another casualty of the \u201ctell\u201d approach. He\u2019s supposedly an amazing director whose pre-<\/span><i><span style=\"font-weight: 400\">Liddell-light <\/span><\/i><span style=\"font-weight: 400\">anime, <\/span><i><span style=\"font-weight: 400\">Hikari no Yosuga<\/span><\/i><span style=\"font-weight: 400\">, inspired Hitomi to quit her public servant career and join the anime industry in order to create an impactful work of her own. But since we don\u2019t get to see firsthand how <\/span><i><span style=\"font-weight: 400\">Hikari no Yosuga <\/span><\/i><span style=\"font-weight: 400\">is like, neither Chiharu\u2019s supposed reputation nor his show\u2019s effect on Hitomi feel particularly convincing.<\/span><\/span><\/p>\n<p><span style=\"font-size: 12pt\"><span style=\"font-weight: 400\">This doesn\u2019t make <\/span><i><span style=\"font-weight: 400\">Anime Supremacy<\/span><\/i><span style=\"font-weight: 400\"> a terrible experience, but it does hobble its entertainment value quite a bit and prevents me from considering it a nice live-action companion to <\/span><i><span style=\"font-weight: 400\">Eizouken! <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">Shirobako<\/span><\/i><span style=\"font-weight: 400\">. It also makes it harder for me to ignore smaller issues like the film\u2019s occasionally disjointed feel and how <\/span><i><span style=\"font-weight: 400\">Soundback<\/span><\/i><span style=\"font-weight: 400\">\u2019s production feels like a blur of events rather than having a clear timeline. <\/span><i><span style=\"font-weight: 400\">Anime Supremacy <\/span><\/i><span style=\"font-weight: 400\">is probably still worth a watch if you like anime, but it\u2019s not as compelling as it could have been.&nbsp;<\/span><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><span style=\"font-size: 12pt\">Director: &nbsp;<strong>Kouhei Yoshino<\/strong>&nbsp;(<em>Gone Wednesday<\/em>)&nbsp;<\/span><\/p>\n<p><span style=\"font-size: 12pt\"> Scriptwriter:<strong>&nbsp;Yousuke Masaike<\/strong>&nbsp;(<em>Sabishii Oka de Kari wo Suru<\/em>)<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Anime supervisor: &nbsp;<strong>Atsutoshi Umezawa<\/strong> (<em>One Piece:<\/em><i>Baron Omatsuri and the Secret Island&nbsp;<\/i>planning, <em>Ghost Sweeper<\/em> <em>Mikami<\/em> director)<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Supervision: <strong>Toei Animation<\/strong><\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><span style=\"font-size: 12pt\"><em>Soundback: Kanade<span style=\"font-size: 12pt\"> no Ishi <\/span><\/em>main staff<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Director:&nbsp;<strong>Azuma Tani<\/strong>&nbsp;(<i>Okko\u2019s Inn<\/i>&nbsp;series co-director)<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Original character designer: <strong>Eisaku Kubonouchi<\/strong>&nbsp;(<em>Carole and Tuesday<\/em>)<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Mecha designer:&nbsp;<strong>Takayuki Yanase<\/strong>&nbsp;(<em>Gundam Build Divers Re:Rise<\/em>,&nbsp;<em>Expelled From Paradise<\/em>&nbsp;and&nbsp;<em>Eureka Seven: AO<\/em> co-mechanical designer)<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><span style=\"font-size: 12pt\"><em>Unmei Sensen Lidd<span style=\"font-size: 12pt\">ell-light <\/span><\/em>main staff<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Director:\u00a0<strong>Takafumi Ootsuka<\/strong>\u00a0(<em>One Piece Stampede<\/em>)<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Original character designer: <strong>Takahiro Kishida<\/strong> (<em>Haikyuu!!<\/em> and <em>Puella Magi Madoka Magica<\/em> character designer)<\/span><\/p>\n<p><span style=\"font-size: 12pt\">Animation director:\u00a0<strong>Hideki Takahashi<\/strong>\u00a0(<em>Haikyuu!! To the Top<\/em>\u00a0action animation director)\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An adaptation of the novel by Mizuki Tsujimura, Anime Supremacy\u2019s trailers provide the impression that it\u2019d be a decently fun experience, and there are certainly moments that deliver on this promise&#8230;<\/p>\n","protected":false},"author":24,"featured_media":46092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[3730,3862,635,1082,1190],"class_list":["post-46086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anime","tag-anime-supremacy","tag-live-action-movie-2","tag-movie","tag-production-ig","tag-toei-animation"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/anitrendz.net\/news\/wp-content\/uploads\/2022\/09\/animesupremacy_1.png?fit=1920%2C1080&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p8n4QV-bZk","_links":{"self":[{"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/posts\/46086"}],"collection":[{"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/comments?post=46086"}],"version-history":[{"count":5,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/posts\/46086\/revisions"}],"predecessor-version":[{"id":46125,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/posts\/46086\/revisions\/46125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/media\/46092"}],"wp:attachment":[{"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/media?parent=46086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/categories?post=46086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anitrendz.net\/news\/wp-json\/wp\/v2\/tags?post=46086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}